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The use of moisture barriers on wood panels

Rates of change in the dimensions and moisture contents of wooden panels resulting from changes in the ambient air conditions

Relining with glass-fiber fabric

Restoration of an eighteenth century writing table

An apparatus for the surface examination of paintings

A new look at colour rendering, level of illumination, and protection from ultra-violet radiation in museum lighting

Further investigations of colour-rendering, and the classification of light sources

Experiences with the artificial lighting of paintings

An easily built comparator projector for x-ray powder diffraction patterns

Restoration of monumental painting on loess plaster using synthetic resins

Methods used in the Archaeoligical Prospecting of Etruscan Tombs

The Laboratories of the Swiss Institute for Art Research

Behaviour of painted wood panels under strong illumination

Some observation of methods for identifying proteins in paint media

Some tests on the use of wax for fixing flaking paint on illuminated parchment

The restoration of the Vienna Dioscorides

Sampling precautions in the analysis of metallic antiquities

The research laboratory of the Swiss National Museum at Zürich

Reducing scattered light in the photomicrography of opaque cross-sections

Are analyses of uncorroded ancient alloys representative?

A new cradle model

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