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The use of moisture barriers on wood panels
Rates of change in the dimensions and moisture contents of wooden panels resulting from changes in the ambient air conditions
Relining with glass-fiber fabric
Restoration of an eighteenth century writing table
An apparatus for the surface examination of paintings
A new look at colour rendering, level of illumination, and protection from ultra-violet radiation in museum lighting
Further investigations of colour-rendering, and the classification of light sources
Experiences with the artificial lighting of paintings
An easily built comparator projector for x-ray powder diffraction patterns
Restoration of monumental painting on loess plaster using synthetic resins
Methods used in the Archaeoligical Prospecting of Etruscan Tombs
The Laboratories of the Swiss Institute for Art Research
Behaviour of painted wood panels under strong illumination
Some observation of methods for identifying proteins in paint media
Some tests on the use of wax for fixing flaking paint on illuminated parchment
The restoration of the Vienna Dioscorides
Sampling precautions in the analysis of metallic antiquities
The research laboratory of the Swiss National Museum at Zürich
Reducing scattered light in the photomicrography of opaque cross-sections
Are analyses of uncorroded ancient alloys representative?
A new cradle model
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