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Features (NiC)
Curators and Conservation
Calcium sulphate minerals in the grounds of Italian paintings
A visit to an ancient gypsum quarry in Tuscany
Densitometry of photographic films and plates
Soft X-rays in the examination of paintings
The age-embrittlement of silver coins
La technique des "Primitifs flamands." III, Van Eyck: "L'Adoration de l'agneau mystique"
Italian maiolica: notes on its materials from Piccolpasso
Technical analysis of an early painting by Botticelli
The cleaning and mounting of a large wool tapestry
Chalconatronite: an alteration product on some ancient Egyptian bronze
Colour and conservation
Coatings and incrustations on lead objects from the Agora and the method used for their removal
Marouflage, relining and the treatment of cupping with atmospheric pressure
A Tuscan madonna of ca. 1260: technique and conservation
An experiment in co-operative conservation
Cross-sections and chemical analysis of paint samples
The restoration and preservation of old fabrics
The welding of cracked bells
Material for a history of conservation: the 1850 and 1853 reports on the National Gallery
Method for radiographing the typography of oil paintings

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