The Emerging Conservation Professionals Network (ECPN) is pleased to announce our upcoming webinar, 'Showcasing Your Work: Preparing and Maintaining a Conservation Portfolio', taking place on Tuesday, November 14th from 12:30-1:30 pm EST.
A well-conceived and eye-catching portfolio can be crucial for emerging conservation professionals to progress in the field. But when is a digital portfolio appropriate versus a hard-copy portfolio? What are the advantages and disadvantages of each? How should your portfolio evolve as you progress in your career? This Webinar will cover the creation and use of digital and hard-copy portfolios in various scenarios and early-career stages, from pre-program candidate to graduate student and post-graduate.
ECPN has invited two speakers to provide different perspectives on this topic. Susan Heald, Textile Conservator at the National Museum of the American Indian, will discuss her experience reviewing portfolios as part of internship and fellowship applications. Gwen Manthey, a paintings conservator who has worked in both private practice and museums, will speak about digital portfolios, including the practicalities of compiling and maintaining one.
ECPN is seeking submissions for the Q&A session following the speakers' presentations. To submit your questions in advance, please post in the comments section below or send them via email to firstname.lastname@example.org. Questions will be accepted until the morning of the webinar, or can be submitted during the presentations via the GoToWebinar platform.
Attendance is *free *and *open to all AIC members*. Please register at https://register.gotowebinar.com/register/578612865028078797 to watch the webinar. If you are unable to view the program on November 14, or are not a member of AIC, the full video will be recorded and uploaded onto the AIC YouTube Channel at https://www.youtube.com/user/aiconservation following the broadcast.
Please see below to learn more about our speakers:
SUSAN HEALD has been the National Museum of the American Indian's textile conservator since 1994, where she has supervised many pre-program interns and post-graduate fellows. Prior to NMAI, she served as the Minnesota Historical Society's textile conservator, and was a Smithsonian Conservation Analytical Lab postgraduate fellow. She holds an MS in Art Conservation (textile major/objects minor) from the University of Delaware/Winterthur Museum, and a BA in Chemistry and Anthropology from the George Washington University. She served as chair and vice-chair for the AIC Textile Specialty Group (1997-98), and as a board member for the North American Textile Conservation Conference (2004-09).
GWEN MANTHEY is the newly-appointed Contract Interim Paintings Conservator at the Smithsonian American Art Museum and maintains a private practice outside of Philadelphia. Prior positions include Assistant Paintings Conservator at the Museum of Fine Arts (Boston, MA), National Endowment for the Humanities Fellow at the Chrysler Museum of Art (Norfolk, VA), and the Wyeth Fellow for American Art at the Walters Art Museum (Baltimore, MD). A graduate of the Winterthur/University of Delaware Program in Art Conservation (B.A.S, M.S., C.A.S.), she is serving as Program Chair for the Philadelphia Area Conservation Association and a mentor for ECPN-HBCU Mentor-Pilot Program.