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Features (NiC)
Organic residue analysis of Egyptian votive mummies and their research potential
Copper(II) hydroxide on artefacts: Corrosion, conservation, colourants
Ultrasonic phased array technology for the non-destructive testing of marble sculptures
Non-structural injection grouts with reduced water content: Changes induced by the partial substitution of water with alcohol
Ethanol as an antifungal treatment for paper: short-term and long-term effects
Identification of cellulose nitrate X-ray film for the purpose of conservation: Organic elemental analysis
Lead soaps in paintings: Friends or foes?
Editorial
Compensation for small losses to lacquer and inlaid decoration using paper fills painted and glazed in situ
A preliminary examination of urushi-based conservation options for the treatment of photodegraded Japanese lacquer using scanning electron microscopy and profilometry
Fusing and refreshing the memory: Conserving a Chinese lacquered Buddha sculpture in London
Reduced, reused and recycled: The treatment and redisplay of a repurposed seventeenth-century Coromandel lacquer screen in the Acton Collection, Villa La Pietra, Florence
The reproduction of realistic samples of Chinese export lacquer for research
The Japanese Tower at the Royal Domain in Laeken: A remarkable application of Japanese lacquer techniques in Belgium
The technical investigation of an eighteenth-century Chinese imperial carved lacquer screen and its role in developing an appropriate conservation treatment
Bending Asian lacquer in eighteenth-century Paris: New discoveries
Measuring mercury emissions from cinnabar lacquer objects
A hint of Orient in an Americana collection: Investigations into Chinese export furniture at Winterthur Museum
Simplified Chinese lacquer techniques and Nanban style decoration on Luso-Asian objects from the late sixteenth or early seventeenth centuries
A technical analysis of paint media used in twentieth-century Vietnamese lacquer paintings
Searching for blood in Chinese lacquerware: zhū xiě huī 豬 血 灰

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