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Yellow lead pigments and their possible use in detecting fakes
Humidity control in a closed package
The conservation laboratory of the "Museo e gallerie nazionali di Capodimonte", Naples
Carbowax and other materials in the treatment of water-logged paleolithic wood
Restoration of a retable in Norwich Cathedral
Etude et nettoyage non-destructifs d'une pièce d'orfévrerie mérovingienne provenant de Saint-Denis (Seine)
The study of costume in painting
The Freer Gallery Laboratory for Technical Studies in Oriental Art and Archaeology
Traitement de conservation de quelques objets de fouille en bois
A Simple stereoscopic microscope stand for picture examination
The large vacuum hot-table for wax relining of paintings in the Conservation Department of the Tate Gallery
Vacuum relining using a heated rubber mat
(The vacuum hot-table in the) Doerner-Institut, Bayerische Staatsgemäldesammlungen
(The vacuum hot-table in the) Fine Arts Conservation Laboratories, New York
(The vacuum hot-table in the) Walters Art Gallery, Baltimore
Pattern-welding and damascening of sword-blades. Part 1: pattern-welding
Colour rendition and museum lighting
Réflexions sur le problème de la formation des restaurateurs de peintures et de sculptures
Detection and identification of waxes, including Punic wax, by infra-red spectrography
La stéréoradiographie
La microstéréoradiographie
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