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Yellow lead pigments and their possible use in detecting fakes

Humidity control in a closed package

The conservation laboratory of the "Museo e gallerie nazionali di Capodimonte", Naples

Carbowax and other materials in the treatment of water-logged paleolithic wood

Restoration of a retable in Norwich Cathedral

Etude et nettoyage non-destructifs d'une pièce d'orfévrerie mérovingienne provenant de Saint-Denis (Seine)

The study of costume in painting

The Freer Gallery Laboratory for Technical Studies in Oriental Art and Archaeology

Traitement de conservation de quelques objets de fouille en bois

A Simple stereoscopic microscope stand for picture examination

The large vacuum hot-table for wax relining of paintings in the Conservation Department of the Tate Gallery

Vacuum relining using a heated rubber mat

(The vacuum hot-table in the) Doerner-Institut, Bayerische Staatsgemäldesammlungen

(The vacuum hot-table in the) Fine Arts Conservation Laboratories, New York

(The vacuum hot-table in the) Walters Art Gallery, Baltimore

Pattern-welding and damascening of sword-blades. Part 1: pattern-welding

Colour rendition and museum lighting

Réflexions sur le problème de la formation des restaurateurs de peintures et de sculptures

Detection and identification of waxes, including Punic wax, by infra-red spectrography

La stéréoradiographie

La microstéréoradiographie

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