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The New Laboratory of the British Museum
On the cause of tin decay in the sarcophagi of the "Kapuzinergruft"
Conservation of 200-year-old water-logged boats with poly-ethylene glycol
Le polissage électrolytlque et les répliques transparentes
An apparatus for gluing split panels
Aspects of bronze patina and its treatment
A blind approach to the removal of a fresco
Studies for the preservation of the frescoes by Giotto in the Scrovegni Chapel at Padua. I. The state of conservation of the frescoes and the principal technical restoration problems
Studies for the preservation of the frescoes by Giotto in the Scrovegni Chapel at Padua. II
The treatment of fire-blistered oil paintings
A Simple vacuum impregnation tank for pottery and other objects
Infrared luminescence in the photographic examination of paintings and other art objects
Technical studies of Oriental lacquer
The conservation laboratory of the National Museum, New Delhi
Some notes on procedures used in the Royal Library, Copenhagen, for the preservation of palm-leaf manuscripts
Criteria for distinguishing additions from original paint
Dammar and mastic varnishes: hardness, brittleness, and change in weight upon drying
The radiography of panel paintings by electron emission
The analyses of paint media by paper chromatography
Chemical studies on the eighth-century red lead preserved in the Shôsô-in at Nara
The adhesive strength of whiting-wax-resin cements
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