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The New Laboratory of the British Museum

On the cause of tin decay in the sarcophagi of the "Kapuzinergruft"

Conservation of 200-year-old water-logged boats with poly-ethylene glycol

Le polissage électrolytlque et les répliques transparentes

An apparatus for gluing split panels

Aspects of bronze patina and its treatment

A blind approach to the removal of a fresco

Studies for the preservation of the frescoes by Giotto in the Scrovegni Chapel at Padua. I. The state of conservation of the frescoes and the principal technical restoration problems

Studies for the preservation of the frescoes by Giotto in the Scrovegni Chapel at Padua. II

The treatment of fire-blistered oil paintings

A Simple vacuum impregnation tank for pottery and other objects

Infrared luminescence in the photographic examination of paintings and other art objects

Technical studies of Oriental lacquer

The conservation laboratory of the National Museum, New Delhi

Some notes on procedures used in the Royal Library, Copenhagen, for the preservation of palm-leaf manuscripts

Criteria for distinguishing additions from original paint

Dammar and mastic varnishes: hardness, brittleness, and change in weight upon drying

The radiography of panel paintings by electron emission

The analyses of paint media by paper chromatography

Chemical studies on the eighth-century red lead preserved in the Shôsô-in at Nara

The adhesive strength of whiting-wax-resin cements

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