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On the technology of central Asian wall paintings: the problem of binding media

Le Centre de Recherches sur la Conservation des Documents graphiques, Paris

Soluble nylon as consolidation agent for stone

Note on the direct application of the plaster of Paris to waterlogged wood

Thomas Bardwell and his practice of painting: a comparative investigation between described and actual painting technique

An examination of Thomas Bardwell's portraits - the media

A note on the cleaning of shell inlay on ethnographical specimens from Oceania

Some aspects of the conservation of works of art in buildings of new concrete

Heat-seal lining of a torn painting with Beva 371

Magnetization of shards as an assistance to the reconstruction of pottery vessels

The thirteenth-century tile-kiln from Clarendon Place - its removal and reconstruction for exbibition

Note on the preparation and mounting of samples of chalk/glue ground from paintings for scanning electron microscopy

The identification of paint media from the analysis of their sterol composition - A critical view

Application of pyrolysis gas chromatography on some of van Meegeren's faked Vermeers and Pieter de Hooghs. Reference to glass

A note on the radiography of large-size paintings

Etude des peintures murales dans la Chappelle de l'Hôtel Jacques Coeur à Bourges. (France)

The Iraq Museum Laboratory, Baghdad

Holography in the conservation of statuary

Non-destructive analysis of ancient bronzes

Laboratoire de Recherche des Monuments Historiques de Champs-sur-Marne

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