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On the technology of central Asian wall paintings: the problem of binding media
Le Centre de Recherches sur la Conservation des Documents graphiques, Paris
Soluble nylon as consolidation agent for stone
Note on the direct application of the plaster of Paris to waterlogged wood
Book review
Thomas Bardwell and his practice of painting: a comparative investigation between described and actual painting technique
An examination of Thomas Bardwell's portraits - the media
A note on the cleaning of shell inlay on ethnographical specimens from Oceania
Some aspects of the conservation of works of art in buildings of new concrete
Heat-seal lining of a torn painting with Beva 371
Magnetization of shards as an assistance to the reconstruction of pottery vessels
The thirteenth-century tile-kiln from Clarendon Place - its removal and reconstruction for exbibition
Note on the preparation and mounting of samples of chalk/glue ground from paintings for scanning electron microscopy
The identification of paint media from the analysis of their sterol composition - A critical view
Application of pyrolysis gas chromatography on some of van Meegeren's faked Vermeers and Pieter de Hooghs. Reference to glass
A note on the radiography of large-size paintings
Etude des peintures murales dans la Chappelle de l'Hôtel Jacques Coeur à Bourges. (France)
The Iraq Museum Laboratory, Baghdad
Holography in the conservation of statuary
Non-destructive analysis of ancient bronzes
Laboratoire de Recherche des Monuments Historiques de Champs-sur-Marne
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