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A design for large plaster piece-moulds made in the field

Conservation of sculptural stonework: Virgin and Child on S. Maria dei Miracoli and the loggetta of the Campanile, Venice

Natural resins of art and archaeology. Their sources, chemistry, and identification

The Thai bronze project

Correspondence: Transmitted infrared photography

Correspondence: A treatment for blanching in paintings

Microprobe analysis of gilded silver threads from mediaeval textiles

The conservation of tbe wooden writing tablets from Vindolanda Roman Fort, Northumberland

Malachite and green verditer

Utilisation de résines acryliques pour la protection superficielle de grès tendres

On the technology of central Asian wall paintings: the problem of binding media

Le Centre de Recherches sur la Conservation des Documents graphiques, Paris

Soluble nylon as consolidation agent for stone

Note on the direct application of the plaster of Paris to waterlogged wood

Thomas Bardwell and his practice of painting: a comparative investigation between described and actual painting technique

An examination of Thomas Bardwell's portraits - the media

A note on the cleaning of shell inlay on ethnographical specimens from Oceania

Some aspects of the conservation of works of art in buildings of new concrete

Heat-seal lining of a torn painting with Beva 371

Magnetization of shards as an assistance to the reconstruction of pottery vessels

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