Priscilla Anderson
Harvard University Library
Recent developments in the conservation of Islamic manuscripts
Angels Arribas
National Galleries of Scotland
Flood recovery project of the Eduardo Paolozzi archive
Jean Brown, Colin Liddie & Anne Bacon
University of Northumbria at Newcastle
The development of characterisation profiles and a spectral library for pigments
Katherine Brown, Michelle Brown & David Jacobs
The British Library
The study of Anglo-Saxon illuminated manuscripts from the British Library collection using Raman microscopy
Gang Chen, Kyoko Katsumata & Masamitsu Inaba
Tokyo Geijutsu Daigaku
The permanence of traditional Chinese paper
Zoitsa Gkinni
Directorate of Conservation of Antiquities, Athens
The conservation of a Book of Psalms: ethics and decision making
Hany Hanna Aziz Hanna
Supreme Council of Antiquities, Cairo
A study in deterioration of books and documents in some museums in Cairo
Gabrielle Harrison, H. Hengemihle, C.C. Ryan, M.-L. Suerra, P. Song, N. Weberg & C.J. Shahani
Library of Congress, Washington DC
A new accelerated aging test for comparing the permanence of different papers
Frank J. Ligterink, Jose L. Pedersoli Jr, Rianne Teule, John B.G.A. Havermans, Hadeel Abdul Aziz, Costas Balas, Simone Pentzien, Pascale Rudolph & Wolfgang Kautek
Netherlands Institute for Cultural Heritage, Amsterdam
Laser technology as a solution to unanswered cleaning problems in paper conservation: PARELA - a new European cooperative research project
Leonor Loureiro, Joana Campelo & Francisca Figueira
Instituto Portugues de Conservacao e Restauro, Lisbon
A method of invisible consolidation of tears, toning and infilling transparent papers
Michael Maggen
The Israel Museum, Jerusalem
An alternative approach to disinfecting books and paper supports with garlic
Katsuhiko Masuda
Showa Women's University, Tokyo
Micro dot adhering for paper conservation and offset application of paste
Heather Norville-Day
British Museum
Working outside the realms of traditional methods and materials
Marc Reeves & Anna Stenstrom
The New York Public Library
Looking at paper: Looking through paper: a visual guide for conservation treatment
Anupam Sah
ICI Orissa Art Conservation Centre, Bhubaneswar
Puskola pothi: palm leaf manuscripts of Sri Lanka
Kimberly Schenck
The Baltimore Museum of Art
Matisse's maquette for Poesies de Stephane Mallarme
Sarah Skinner, Maureen Cross, Jane Street & Caroline Cotgrove
Manchester Art Gallery
From fireplace to fine art
Yoonjoo Strumfels & Barbara H Berrie
National Gallery of Art, Washington DC
Fading of watercolour pigments based on cochineal
Makiko Sugiyama
Showa University, Tokyo
Oxygen-free museum case - inserted nitrogen gas generator
Sylvia Sumira
Conservator specializing in globes, London
Journey into the interior - the use of paper in the manufacture and conservation of globes
Hanna Szczepanowska & A.R. Cavaliere
Maryland State Archives, Annapolis
Molds are mutilating our masterpieces
Aneta Tsouka
Paper/photograph conservator, Pilea, Thessaoloniki
Conservation treatment of gelatin-based photographic materials - different supports, different problems
Jedert Vodopivec, Meta Cernic Letnar & Stanka Grkman
Arhiv Republike Slovenije, Ljubljana
Conservation of extremely damaged archival material by optimising the cellulose fibre composition during the leaf casting technique
Robert E. Wynne-Jones
London
A historical investigation into the watercolour paper and pigments used by official and unofficial British war artists during the Second World War
Kazunari Yoshida, Saito Kyoko Katsumata & Masamitsu Inaba
Tokyo National University of Fine Arts & Music
The deterioration in dyed kozo paper by wet-thermal ageing or ultra violet radiation induced ageing
