Final list of posters
Archiving and preserving the work of John Latham
SARAH BASHIR, SAYA HONDA, NEIL MACLEOD and FUMI MATSUSHIMA
Providing access to the ideas that shaped the world: conservation of the John Murray archive
KATE KIDD
Digital preservation for long-term access in developing countries
KAMANI PERERA and DINESH CHANDRA
Talking Heads: revealing meanings in the Saffron Walden museum archive, UK
REBECCA CHISHOLM, ELEANOR BRADSHAW, EMILY BRENNAN, SOPHIE HARMAN, CHRISTINE KELLY, PETER MCELHINNEY and YI WU
Art and religion: a challenging relationship for the conservator
ANA CALVO and MARIA AGUIAR
Ethical access to human remains held at the Science Museum
FRAN COLES
The city as an artwork: requalification of the historic centre of Cachoeira, Brazil
HONÓRIO NICHOLLS PEREIRA
Conservation projects: establishing accessibility and use
CARLA BARTOLOMUCCI and CATERINA GIANNATTASIO
Protecting heritage for the future: conservation and reburial at Çatalhöyük, Turkey
ALAINA SCHMISSEUR
The conservation of wallpaper in the chinese room in Wilanow Palace, Poland
MARZENNA CIECHASKA
Deterioration of building stone treated with Portland cement at Persepolis, Iran
MOHAMMAD REZA NILFOROUSHAN and ABBAS ABED
Conservation of Gaddi's frescos in the basilica of Santa Croce, Florence
MARIAROSA LANFRANCHI, MASSINO CHIMENTI, ALBERTO FELICI, LAURA GIOVANNINI, PAOLO LAURI and RAIMONDO VACCA
Finding the missing: wall tiles transfer for Kom Tong Hall
EDDY S.T. LEUNG, EVITA S. YEUNG and SHING-WAI CHAN
Access to an archeological textile through conservation: from discovery to display
CARMEN MARIAN, MADALIN VALEANU and ZIZI BALT
Conservation of hand-coloured photographs: working between painting and photography conservation
ENARA ARTETXE, MARTA BARANDIARAN, M. ITXASO MAGUREGUI, BEATRIZ SAN SALVADOR, MARIA PILAR LEGORBURU, FERNANDO BAZETA, CARLOS VENEGAS, FRANCISCO COBO, VICTOR CLAVER and JOSE CORTÉS
The new conservation studio in the Auschwitz-Birkenau State Museum, Poland
BEATE KOZUB and NEL JASTRZEBIOWSKA
Conservation of a folded and distorted work on paper
MARÍA VERÓNICA SILVA, JOSÉ BALMES and FRANCISCO GONZÁLEZ
The treatment of an unlined eighteenth-century British painting in Australia
CATHERINE NUNN
An alternative backing method for Keifer's Melancholia
EUN-JIN KIM
Conservation of an artwork on high density fibreboard
ROSARIO LLAMAS PACHECO and ABRAHAM REINA DE LA TORRE
Fragile art in high school hallways: the Wennesland Beat art collection
INGRID GRYTDAL MATHESON
Frames, plinths and vitrines in contemporary art
IAN GERAGHTY
Making filming safe
VICTORIA MARSLAND, FIONA MACALISTER and RHIAN TRITTON
Aircraft as visitor attractions at the National Museum of Flight, Scotland
STUART MCDONALD
Kelvingrove, Scotland, new century project: lighting strategy for safe access
HARRIET WOOLMORE
The Ducretet inductor coil: conserving change
SHARON PENTON
Keeping our heads above water
CATHY COLLINS and ROY MARCHANT
Mixed-media bound books
ELIZABETH NEVILLE
Incca: a virtual platform providing access to shared knowledge on contemprary artworks
KAREN TE BRAKE-BALDOCK and TATJA SCHOLTE
Cranach magnified: a comparative image tool
YVONNE SZAFRAN and ANNE WOOLLETT
The preservation of cultural property in Greece: can a collection condition survey influence policy?
DAPHNE BIKA
Enhancing cultural access through the provision of an interdisciplinary multi-lingual dictionary
MONIKA BOGDANOWSKA and MARTIN TAYLOR
Conservation for access: a toolkit to promote sustainability
HELEN LLOYD and KATY LITHGOW
Presenting conservation: collaboration between museums and students
HELEN GANIARIS and DEAN SULLY
Historical overview of the conservation of graphic art in Russia
ELENA G. SHISHKOVA
Preservation of historic paper in Japan
YASHIHO KIKKAWA and CHIE SANO
Terahertz spectroscopy: a new non-invasive technique for art material analysis
KAORI FUKUNAGA, IWAO HOSAKO, YUICHI OGAWA, SHIN'ICHIRO HAYASHI and MIHO BOKUDA
Condition assessment of artefacts made from protein
MARIA GEBA, ADRIANA IONIUC, DOINA MANEA, MARTA URSESCU, LUCRETIA MIU, NICOLETA VORNICU and CRISTINA BIBIRE
Limitations of handheld XRF as a quantitative tool for measuring heavy metal pesticide residues in art objects
ÖZGE GENÇAY-ÜSTÜN and CHARLOTTE ENG
Conservation of fragile organic supports with a plasma treatment
DORINA EMILIA RUSU, MARIAN TOTOLIN and EMIL GHIOCEL IOANID
Visualization of historic objects using the latest micro- and macro-scale technologies
ELBIETA MODZELEWSKA and AGNIESZKA LEKIEWICZ-LAUDY
![[International Institute for Conservation of Historic and Artistic Works]](../congress/img/cong_header.gif)